Sebastian, portrayed by Sheridan Monroe, was a fascinating combination of smug, scatterbrained, critical and compassionate. This is the second show I have seen him in, and I am quickly becoming a fan of his work. His voice was clear and on pitch, and his acting and dancing seemed effortless. Sadat Hossain, as Prince Eric, was the quintessential leading man/love interest. Her performance was flawless, including her singing and dancing, her gestures, and her interaction with the other characters. She was a beautiful lovestruck teenager, with a voice to match. I won’t give away any spoilers, but the dancing birds by themselves are worth the price of admission.Īs Ariel, Parker Gerdes was just divine. The opening number of Act Two was truly a show-stopper.
#Artisan center theatre full
The duet dance between Ariel and Eric was breathtaking, and every song was full of energy. I can’t say enough about Valerie Walker’s choreography. Gwozdz was successful in creating a vocally balanced, easy to understand ensemble that was comfortable with the tempos and transitions of the numerous songs. His gift for identifying and guiding talent is apparent. Horton is an expert at selecting his cast and coaching them to deliver a spot-on performance. Richard Gwozdz, and Choreographer Valerie Walker coaxed every bit of talent out of this cast and created a masterpiece. This production of Disney’s Little Mermaid was an absolute delight. I had heard good things about The Artisan, so my expectations were high. Reviewed by Jeri Tellez, Associate Critic for John Garcia's THE COLUMN Pilot, Maids, Ensemble: Miley Armstrong, Chloe Clark, Kristy Conway, Danielle Duda, Noah Horton, Reid Horton, Brady Lee, Lillian Rivas, Kimberly Sypert, Ashley Tysor, Grace Wilson Mersisters, Princesses: Ciara Cimino, Mackenzie Horton, Laura Smolik, Roxi Taylor, Julie Welch, Hannah Wilson Projection Programming – Natalie BurkhartĬostume Design, Hair & Makeup Design – Michelle Cawood Stage Managers – Gloria Warner, Gabriel Anderson
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